Opinion
Super Crate Box: Elegant, frantic, and unapologetically small
WarpThrough developer Ramon Huiskamp didn't full appreciate Vlambeer's action game until he tried to make something like it
Why I Love (Page 3)
Feature
How God of War converted a non-believer
Why I Love: Double Eleven's Matt Dunthorne says the 2018 revamp turned him from uninterested onlooker into full-on fanboy
Feature
The never-ending journey of No Man's Sky
Why I Love: EA Vancouver games researcher James Berg loses himself in Hello Games' vast universe
Feature
Soul Reaver: Audacious, pulpy, intelligent, trashy, uncompromising
Why I Love: TheChineseRoom's Dan Pinchbeck pays tribute to Crystal Dynamics' PSOne vampiric action-adventure
Feature
Braid and the beauty of not wasting time
Why I Love: A Duel Hand Disaster dev Jaycee Salinas takes inspiration from the indie time manipulation platformer
Feature
How Astroneer creates an enjoyably unsafe space
Why I Love: Student game developer Aden Webb explores the mood-building design decisions of System Era's survival sandbox
Feature
Diablo III's devilish appeal is in the details
Why I Love: Kopla Games CEO Mika Kuusisto explains why his career has been intertwined with Blizzard's hit from the very start
Feature
Courtship Under a Killing Moon
Why I Love: D'Avekki Studios' Tim Cowles knew he'd found a keeper thanks to those three little words: Full Motion Video
Opinion
Inside made you feel like an unwelcome guest
Why I Love: Lilly Devon goes into the stripped down genius of Playdead's alienating platformer
Opinion
The timeless magic of Shadow of the Colossus
Why I Love: In Vitro Games founder Ricardo Verdugo Ortiz goes in-depth on Team ICO's masterpiece and Bluepoint's worthy remaster and remake
Opinion
Deux Ex: The game you can't win
Why I Love: Bow to Blood developer Matthew Hoesterey says the immersive sim was everything he hoped for, but not what he expected
Opinion
Unraveling Undertale
Why I Love: Just Add Water's Oliver William Walker examines the charm of a surprising, unusual, and thoughtful RPG
Feature
Gratitude for the Miracle Man
Why I Love: Pumped BMX developer Adam Hunt pays heartfelt homage to a magazine disc demo of Dave Mirra Freestyle BMX
Feature
Persona 5 and the merger of style and substance
Why I Love: Marketer Michal Napora was sold by the Atlus RPG's flashy exterior, but hooked by its substantial heart
Opinion
The sweet science of Armadillo Run
Why I Love: Hugecalf Studios' Andy Metcalfe explains how the 2008 indie effort got the ball rolling on his love of physics-based puzzlers
Feature
The head games of Vampire: The Masquerade - Bloodlines
Why I Love: Jakub Kasztalski explains why Troika Games' undead immersive sim never gets old
Feature
How Odama tilted the playing field
Why I Love: Pig Eat Ball's Nathan Fouts reminisces about Yoot Saito's bizarre pinball-meets-RTS GameCube exclusive
Opinion
Rez and the power of owning your own experience
Why I Love: Friend & Foe's Ivar Dahlberg examines the Tetsuya Mizuguchi classic and how it influences his own very different work
Feature
Old ways can still be the best ways
Why I Love: YoYo Games' Mike Dailly explains how tech from the 1988 Commodore 64 shooter Armalyte is still used today
Feature
Striking the balance of autonomy and narrative
Why I Love: Auroch Digital's Nina Collins digs into the guided open-world of Sucker Punch's Infamous
Feature
Assassins Creed: An ancient world with a modern mood
Why I Love: KeokeN Interactive founder Koen Deetman shares how Ubisoft's open-world adventure captured his imagination
Opinion
Brevity is the soul of Minit
Why I Love: Size Five Games' Dan Marshall explains why the 60-second adventure game represents "streamlining at its best"
Opinion
Diddy Kong was my Dark Souls
Sumo Digital's Jamie Smith says Rare's N64 kart racer left the competition in the dust
Opinion
Appreciating annelid annihilation in Worms: Armageddon
Why I Love: Perfectly Paranormal's Ozan Drøsdal reminisces on Team17's classic, from its absurd aesthetic to its amenable online community
Feature
Metal Gear Solid was ahead of its time
Why I Love: Sumo Digital designer Emily Knox explores how the PSone classic shaped and inspired her childhood self